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The Corporate Battle For CNN Reveals How Dysfunctional US Journalism Now Is.

On Thursday evening, amid swirling speculation regarding a shooting at Brown University, CNN’s Kaitlan Collins took to social media, pointing out the conflicting information and pointing viewers to her network’s 9pm newscast.

Even though the network is hardly a perfect news source, her statement seemed accurate for numerous observers. It stands as one of the broadcasters where one can locate grounded and largely dependable reporting – especially during crises such as the one developing near a New Hampshire storage facility.

A Vulnerable Position During a High-Stakes Battle

But the news network, now 45 years old, finds itself in a uncertain position as two huge media empires compete for ownership of its parent company, Warner Bros Discovery.

Regardless of who wins, the fate of CNN has turned into a high-risk game of mergers and acquisitions, instead of as a question of what benefits the information-seeking public.

“Here is one more case of the deep structural problems with origins in many years of regulatory actions,” stated Victor Pickard, writer of “Democracy Without Journalism?” and a academic specializing in media policy at the University of Pennsylvania.

The debate about who will own Warner Bros Discovery – is it going to be Netflix or Paramount Skydance? – fails to grasp a more important point.

“It is often framed as a corporate drama with key players as the protagonists, but there is scant discussion of the public interest,” Pickard added.

The Complicating Factor: Political Influence

This situation is further muddied by Donald Trump’s views about a network he has consistently labeled as perhaps his primary “fake news” foe.

Remember the chants of “CNN sucks!” at Trump's rallies, his administration's retaliatory suspension of reporter Jim Acosta’s press credentials, or his clashes with Collins in White House briefings.

Trump now says that the network requires new ownership. You can read that as ownership that will protect him from negative coverage and examination. That is one reason why he seems to favor Paramount Skydance, which has made a aggressive takeover attempt.

There is a basis to like that company more. For one thing, it is led by David Ellison, son of the Trump-friendly Larry Ellison, one of the world’s richest people.

Paramount, owner of CBS News, also recently appointed the right-leaning Bari Weiss, noted for her “anti-woke” beliefs, as the top editor of that storied news network.

A Future of Further Uncertainty

It is important to note, if Netflix is successful, CNN and other cable outlets would first be carved out into a independent unit. That would be a relief to many at the network, but it’s far from a secure position. That setup could position CNN for yet another acquisition. It never ends.

If you ask Timothy Wu, a lot of this is against the law, anyway. The well-known analyst of big tech’s dominance wrote recently that competition laws should prohibit both deals.

“Each proposed deal would be detrimental to the country, and both should be challenged by the government,” Wu argued.

The Core Issue and a Path Forward

No matter the outcome regarding CNN, the larger issue remains.

“The present media landscape is a highly structure that undermines democracy, but we ought not succumb to a sense of powerlessness,” Pickard said. Government actions – dating back to the 1930s and 1940s – helped to build this overly commercial monster, and revised policy decisions can fix it.

Will that happen in an era where the top communications regulator refuses to acknowledge that the agency is independent? Reform is a distant prospect now, but that is not to say it will be impossible forever.

Initiatives that strengthen independent news organizations, aid local journalism, fund public media, and prohibit the concentration of media power in too few hands are not only possible – they are essential for a robust democracy.

When it comes to media ownership, bigger isn’t better. And news organizations including CNN cannot be tools in the newest corporate chess match.

Written by

Joseph Henry

Elara Vance is a London-based art critic and curator with over a decade of experience in visual arts and cultural commentary.

Vision Culture UK

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